Lee Bul, Bells From the Deep, 2014 in Beyond and Between at Leeum, Samsung Museum of Art
The exhibition featuring the artists who received the 2014 Korea Artist Prize is now on display through 9 November. Chang Jia (장지아), Noh Suntag (노순택), Kim Shinil (김싱닐), and Koo Donghee (고동회) were selected for the prize. I had the honor of visiting Chang Jia in New York this March and got to see her new work in progress. Here’s a film about all of the artists. Around 18:50 might be of particular interest to my family and friends.
The Leeum, Samsung Museum of Art (삼성미술관) in Seoul is having a tenth anniversary exhibition, Beyond and Between, featuring many well known artists from Asia and elsewhere including Ai Weiwei, Lee Ufan (이우환), Kimsooja, Moon Kyungwon & Jeon Joonho, Rirkrit Tiravanija, and others. The aim of the exhibition is to encourage communication with people (e-flux). The online galleries for the exhibition are divided into three parts: Beyond Time, Beyond Space, and Between Art and People. It is open until December 19, 2014.
Mediacity Seoul (미디어시티서울) 2014 began this week. This year’s theme is Ghosts, Spies, and Grandmothers. It runs through Novemeber 23. You can keep an eye on different events via their website, Facebook, Twitter, and Instagram.
Doosan Gallery Seoul (두산) presents Minae Kim’s (김민애) Black, Pink Balls (검은, 분홍 공) until October 4. Kim is Doosan’s artist of the year. “In this exhibition, the artist seeks to examine the contradiction that arises when one ceaselessly aspires to deviate from and overturn the established order, but can ultimately do nothing but move around inside this order. Within this deliberative process, she seeks to create new meaning.”
The Busan Biennale (부산비엔날레) theme this year is Inhabiting the World (세상 속에 거주하기). “Inhabiting the world is an active attitude, a sign of vitality, the will to act upon the world and change it, and this energy, this fluidity, characterizes the city of Busan.” The Biennale opens on 20 September. For a list of participating artists, see e-flux.
The Gwangju Biennale (광주비엔날레) opened last week and runs through November 9. This year’s theme is Burning Down the House (터전을 불태우라). The Biennale website gives a brief chronological review of the themes from the past starting with the first Biennale in 1995, Beyond the Borders. I will be revisiting this Biennale in the coming weeks with an article about some controversy this year.
Another iteration of the REAL DMZ PROJECT (리얼디엠지프로젝트) began at the end of last month and will run through 27 September. So far the website for 2014 is quite sparse but it does include basic information about the project such as participating artists. If you’re curious to see more, you can look at the archives from 2012 and 2013.
New York Times did an interview with MOMA curator and Korean native, Doryun Chong, about how to approach viewing art in Seoul. He discusses rapidly changing history, the new National Museum of Contemporary Art, and weighs in on preservation.
For general viewing of art in Seoul, South Korea, see the article I wrote for Art Radar Asia last fall.
Still from Sojung Jun’s (전소정) film Last Pleasure (마지막 기쁨) at Doosan Gallery starting Sept. 4
An important tribute to an inspiring, generous, and vivacious person. I interviewed Crystal a few years ago to help spread the word about China Residencies. Now an incredibly successful program, China Residencies is one small part of the vast legacy Crystal left this world.
Ted Lawson creates drawings of his body with his own blood as medium via an IV (via DesignBoom). His artwork includes many different bodies made of various media such as blood, resin, steel, and found objects. Aspects of Lawson’s work are reminiscent of Choi Xooang’s work.
SAIC’s Conversations at the Edge schedule for fall 2014 was just released. Cao Fei will give a talk on October 23. Among many things, Fei is especially well known for the world she created on Second Life. Here’s a tour of it via Art Forum. I’d love to get to Chicago to hear that talk!
An important diagram for people from the United States to keep in mind. We have so much further to go.
“Why I’m Leaving Gagosian” via Art Market Monitor. In regard to the gallery’s impact on the global art market, the author of the article, Kenny Schachter, says, “To put the problem in the simplest terms, the interests of the collectors continue to be sidelined in the way the firm operates and thinks about making money. Gagosian is one of the world’s largest and most important galleries and it is too integral to the global art market to continue to act this way.”
A Journal of the Plague Year. Continental Fear. Islands, ghosts, rebels opened at Arko Art Center in Seoul yesterday. I saw this exhibition last year in Hong Kong at Para Site and highly recommend it. The exhibition features a plethora of artists, some are internationally known like Ai Weiwei. The exhibition, “… departs from and remains strongly connected to an exploration of the events that affected Hong Kong in the spring of 2003: the most significant airborne epidemic in recent years, the SARS crisis, coupled with the tragic death of pop figure and pan-Asian icon Leslie Cheung” (e-flux).
Byeong Sam Jeon’s Dialogueye II (2013)
“Don’t be that dude: Handy tips for the male academic” by Tenure, She Wrote.
10 female artists from Nepal via Art Radar.
Sung Hwan Kim (김성혼) at Art Sonje Center (아트선제센터) from 30 August to 30 November via e-flux. According to e-flux, “The title of the exhibition, Life of Always a Mirror, is a play on words in Korean on a Korean elementary school textbook’s title, Joyful Life. This method of education merges music, art, and physical education into a single subject as a didactic gesture in public education that teaches the youth not only knowledge but also the way they should lead a joyful life.”
“Enter Pyongyang” is an observational film of the capital of North Korea created by JT Singh and Rob Whitworth. It’s an interesting watch and does show the capital in a less common light. Though, I can’t help but be distracted by what lays beyond the capital and what isn’t pictured.
Despite not living there anymore, Chicago and the people in it are still close to my heart. In honor of that, check out Zane Davis’s new Tumblr dedicated to a Chicago bridge.
For anyone who is curious, I’m based in San Francisco now.
Read more about Miru Kim (above) in the article I wrote a few months ago.
Fashion, science, cloning: Hybrid Skins. “The creepy, animalistic pieces envision a time where the body and nature are able to be copied and personalized.” via DesignBoom
Carefully splashed milk as adornment.
Last week my students and I visited Think First, Shoot Later at the MCA. We had a fantastic discussion about Gillian Wearing’s Self-Portrait at Three Years Old (2004). Look at her eyes.
The Average Faces are reminiscent of this project.
Last week David Rosenberg wrote an article about plastic surgery recovery. “Stark Portraits From The Plastic Surgery Recovery Room” includes stunning and chilling photographs of women post surgery created by Ji Yeo. Here’s an interview with the artist.
This video is stunning. It is human in a way I wish we all were. If you watch anything online this week, watch this. According to the Museum of Modern Art in Warsaw, “Eye for an Eye – ancient legal formula calling for revenge for harm gains a new meaning in Artur Żmijewski’s film and photographic series. The film features people with disabilities, who suffer from severe difficulties in their everyday lives as a result of amputations.”
A video take on the visual transformation that comes with age. Watch a person transform from a child to an older person in a matter of minutes.
Fashionable bodies to hang on your wall.
There’s always more on bodies to read right here.
Huffington Post’s article, “8 Scantily Clad Reasons To Rethink Your Understanding of Masculinity” written by Priscilla Frank. Reviewing Joseph Maida’s photographs, “Far removed from your typical headshot, Maida’s photos capture the wide variety of men who happen to find shelter on the tropical islands, combining blatant sensuality with traditionally masculine and feminine poses.”
Knife and Fork shared an interesting article about male eating disorders posted on Jezebel, “I’m an Alcoholic Dude With an Eating Disorder. Hi.” written by stand-up comedian Jamie Kilstein. In a comedic but poignant tone Kilstein explains, “I would tell people that if they ever did a Behind the Music-type special on me, it would be the lamest one ever. Instead of a heroin or a crack addiction, it would just be me on the road after a gig, naked in a bathtub, surrounded by stuffed crust pizza boxes sobbing into my phone, ‘YOU DON’T KNOW ME!'”
A few weeks ago I wrote an article about the male body in contemporary South Korean art for Art Radar Asia. I touch upon the urger to prefect the body and ways artists alter the actual human figure through their art.
On a different note, take a look at this man’s collection of Barbie dolls!
As I write this post some artists come to mind such as Dutes Miller, this exhibition, and of course some of these dudes. Speaking of, have you seen Ai Weiwei’s latest? According to Art Radar Asia, “… bloody performances, simulated sex and government repression can still provoke art audiences.”
If you’re interested, here’s some recommended reading regarding South Korea and masculinity: Sun Jung’s Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols and Stephen J. Epstein and Rachael M. Joo’s article “Multiple Exposures: Korean Bodies and the Transnational Imagination.”
Image via ACAW
5 September: Echo of Echo II, an exhibition of Joo Yeon Park’s work will open at Doosan Gallery SEOUL.
5 September: An exhibition of Sungsic Moon’s drawings will open at Doosan Gallery in NEW YORK.
19 September: Asian Contemporary Art Week in SAN FRANCISCO.
19 September: EXPO CHICAGO will open in CHICAGO.
21 September: News From Nowhere by artists Moon Kyungwon and Jeon Joonho at Sullivan Galleries in CHICAGO