Source.
The Barbie above was made by Jocelyne Grivaud. This piece about Grivaud’s work was brought to my attention by Hazel Dooney on Facebook. Dooney’s response to Barbie is here.
“Ai Weiwei: Never Sorry” successfully debuted at Sundance!
During some thesis research last week I was reminded of Changwon Lee’s work I saw for the first time in 2009. It is great in a photo and even better in person.
Remember when I did the Body Project at IKEA in Beijing? Here is more IKEA art. If you like it you can support the Kickstarter.
Sunday Morning Coffee will soon become a Jewsroch family pastime! Keep your eyes posted here.
Have a great week!
Posted: January 29th, 2012 | Author: Kate | Filed under: Art Review, Sunday Morning Coffee | Tags: Ai Weiwei, Barbie, Hazel Dooney, IKEA, Jewsroch, kickstarter, South Korea, Sundance | No Comments »
I’ve been following Hazel Dooney for a long time. She recently stopped blogging regularly so now her website, email updates and Facebook are how I keep track of her work. I received an update this morning and wanted to share a paragraph she wrote,
“I never expected to discover within myself an enthusiasm for portraiture. Over the past decade, I’ve been asked many times to undertake portrait commissions and I have always refused. Then, about a year or so ago, I recognised a compelling connection between a long-standing theme of my work – the way advertising and entertainment media influence our identity – and the traditional role of the ‘public’ portrait. I became intrigued by the notion that I could create a reductive but still identifiable ‘idealisation’ of a subject which, like fashion advertising or celebrity portrait photography, might transform their real-world ‘self’ into an emotive ‘product’. As large-scale, gleaming, sexy, and super-real as a good fashion or lifestyle advertisement should be, these portraits might also be unsettling and revelatory, even to their sitters.”

*The photo above is a screen shot I took from the artist’s website www.hazeldooney.com.
I find the “self” to “product” aspect of her work and her statement very interesting. Those ideas of course bring me straight to gender representation and roles. What looks “male” or whats “looks” female? Of course that question can be seen as purely an inquiry about the actual naked human form but the influence of cultural products, advertising, and so forth can have an even greater impact.
Posted: August 11th, 2011 | Author: Kate | Filed under: Art Review, Body, Visual and Critical Studies | Tags: body, enamel, gender, Hazel Dooney, naked, self | No Comments »