Opening Ceremony of the Gwangju Biennale via gwangjubiennale.org
Last week Art in America was the first Western source to reveal first hand information about the censorship of Hong Seong-dam’s Sewol Owol and subsequent resignation of the current president and cofounder of the Gwangju Biennale, Lee Yong-woo. The satirical painting includes criticism of the current president, Park Guen Hye and references the Korean ferry that sank last spring tragically taking many lives. The Korean Herald also covered the topic quoting Mr. Lee saying “‘From an art critic’s point of view, the painting should be on exhibit. I don’t think it is taboo to satirize a country’s president,” said Lee. “Freedom of artistic expression should not be restricted by the government just because they have the exhibition budget under their control.”‘
Among the controversy, some sources were able to shift focus back to the artwork. Art Radar Asia reviewed eight artworks from the Biennale including Minouk Lim’s Fire Cliff 3. I wrote about Lim’s Fire Cliff series when she came to Chicago in 2013. The Economist also touched on some of the artwork and the head curator, Jessica Morgan. Morgan has continued to progress; Art in America just announced that the curator will be the new director of the Dia Art Foundation.